: : Anyone know how to use Cool Edit Pro extremely well? If so, please reply to this message. I have a few questions. Thanks. Brian

: Post your questions here and we will see what we can do....

Just wondering who is extremely familiar with the filters of Cool Edit Pro. I can't seem to perfect the use. I am trying to raise the vocals on a track and I was given an explanation on how to do it but it just doesn't seem to work even though I have the low pass/high pass filter thing working out. It's basically not doing what I tell it to do so if anyone can help me figure how to do it, it will be most appreciated. I already have a track that is done(vocals are raised enough to hear only the vocals and a little music in the background). I downloaded that track and I'm trying to figure out how to do it to some other tracks I've chosen. Any help would be GREATLY APPRECIATED. Thanks. Brian

Write this in English might help you unless some of you know Spanish.

: Hola amigos, mi problema es que cuando grabo com mi sound blaster live!, empieza a grabar algunos scrash...
: Lo que me intriga es que antes no lo hacía.

: ¿Alguien tiene alguna solución?

: Muchas gracias.

: Un saludo.

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: whats the bast alternative to napser

I would have to say Bearshare so far ... Brian

First make sure that the computer speakers can handle the output from the receiver. Most computer speakers are powered ( have a power supply you plug into the wall ) and shouldn't be used in this way.. won't do much good except the lowest volume settings on the receiver in which case you might as well plug them directly into the computer. Unpowered computer speakers are generally really crappy and won't handle enough power to make it worthwhile hooking them up to a receiver.
Also, the speakers and receiver should match impedance... might be printed by the connectors otherwise the manual should mention it (?). It will work even if they don't match but the quality will suffer and you could eventually do damage... I haven't tried this)
If you still want to proceed..

The three wires are left right and ground. The ground will need to be run to be connected for both sides.

My educated guess is that the unshielded copper wire is the ground.
That makes the red and white wires the right and left( or left and right .. you'll have to experiment :)

Connect the red wire to the right-positive connector,
the white wire to the left-positive,
and the ground to both the left and right negative terminals.

I wouldn't try this with an expensive receiver... I'm not sure how they would like the shared ground.

then cross your fingers and turn it on.

You could try one side first if you want to try it out before completing all the wiring.

I'm sure you'd be a lot better off getting some bookshelf speakers for $20 or from some garage sale???

Good luck,
Justin

MAYBE the free version of Cubase. Export your loop tracks to trk

Yes, there is....
....MAGIX music maker V2000
and it does a lot more than that!!!

What ASIO driver are you using and more to the point, what Audio Card do you have???

I use a Korg1212 so I don't need to use the ASIO driver myself as the Korg is addressed directly from Logic on my G4...

Keep in touch

Steve...R

As latency is a often mainly a hardware issue, there are few things you can do other than ensure you have the best computer and audiocard for the job. Some people have more problems than others, it's hit and miss.Midi interfaces can slow things down so make sure you are using something other than serial, (USB seems to do the job).

What you can do is use the track delay to delay the recorded track so that the monitoring stage is more inline with the audio coming into the computer. If you play a simple drum riff (midi) hitting one key exactly on each bar (of 4 bars) send the midi information out to a midi device that has it's audio outputs running into the computer. Record the audio and then line up the audio and midi tracks and see how late the audio is compared to the midi (get my drift??). When you have established your delay (in ms (milliseconds)) you can delay the recorded audio after recording by that amount and then you should hear the audio running into the computer at the same time that you can hear the monitored audio that is already recorded.

I might have over complicated the matter, just trying to help...!

Steve...R

You can download the demos here
<a href="http://www.hitsquad.com/smm/programs/SoundDiver_win32/">SoundDiver 3.0 Demo</a> Windows
<a href="http://www.hitsquad.com/smm/programs/SoundDiver/">SoundDiver 3.0</a> Mac

: I Need SoundDiver 3.0 any help would be appreciated.